Procession Isabel Marant - Autumn/winter 2010-2011

Before working out its collection autumn/winter 2010-2011, it would not be astonishing that Isabel Marant occurred in loop the DVD from Grease. With their tails of horse and their broad earrings, its mannequins indeed seem to have wanted to pay homage to semi-sparkling Sandy Olsson, but also to the culture fifties, another heroin of film of Randal Kleiser…

For the next winter, Isabel Marant starts a new creative cycle, where boots studées and winks 80 ' S completely disappeared. With this intention, it invites the fashionista to be melted in the universe of the Fifties (when balls of promotion, cinemas in the open air and American football constituted the sap of the period high school), so as to propose a new icon to him - the actress Olivia Newton-John - who will be able to feed her cloakroom in retro innovations.

It is true that it is enough to evoke the fifties to see at once re-appearing the tempting image of this young girl of good family to the pace in turn ingenuous and teaser. Evolving/moving of the wise twinset pastel to the flamer combination of leather, its character, in perfect adequacy with the girl Isabel Marant, carried in it what to inspire with creative the broad outlines of its future cloakroom bankable…

Thus Freja Beha opened the procession in skinny roulotté on ankle, wind-breaker of biker skimped and escarpins pointed. With the wire of the passages, it is all the universe of the youth of the time which was seen revisited: sporting wind-breaker on skinny, sweat borrowed from the boyfriend football player, pantacourt, leggings 7/8, jacket as a Jean diluted… anything was not forgotten.

However, if Isabel Marant is inspired largely by Sandy Olsson to work out the looks of its models, that does not prevent it therefore from affixing its own key with the whole of its Grease collection. It organizes thus its wind-breakers of student Yankee by working them in duet carbon deer/leather, exchanges the sexy long-line bras of the time for pullovers loose hardly slipped into the belt of trousers capri and attenuates the glitter of a legging by a jacket boyish oversize or a check shirt.

In addition, by voting by plebiscite the duet escarpins indented/length 7/8, it puts forward the sensual dimension of ankle, well too often underestimated…

One will regret nevertheless that Isabel Marant entirely did not make clean slate of the past, by preserving some gimmicks his preceding collections. The shoulder pads in Balmain indeed start to be more than dated, while the military commercial starts of certain parts curl sometimes the inconsistency.

To finish, one notes that the skinny out of leather version biker in Capri will be undoubtedly one of the must cuts next season, without speaking about the small wind-breaker round collar…

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Dior procession - Autumn/winter 2010-2011

In spite to have been the angular stone of the last collection Dior Haute couture, equestrian art continues this season to fascinate John Galliano. However, if the topic remained the same one, the angle of incidence proves somewhat different, allowing to the Master places to affix with its rider one declads attractive, fault of being new…

With this collection (which it entitled “the seduction of the libertine”), the artistic director of Dior once more allows himself to develop the register of stripped the 1900. However, if it takes again the almost intrinsic laces, ribbons and other transparencies today with its style, it associates to them another of its topics of predilection: the wardrobe male of the 18th century. That thus enables him to constitute a cloakroom where the duality of the Dior woman more than was ever explored.

At the same time mischievous and sensual, dominating and delicate, the MUSE of John Galliano is moulted successively as a young stableman in jodhpur, as a courtesan in trench with Basque and suggestive combination, when it does not borrow from Gavroche its declads gouailleuse…

In practice, Galliano multiplies the variations around the leather - which wants to be either ultra boyish then, or thoroughly perforated - as well as creations in muslin draped, embroidered or interlaced wheels and laces, which often reveal a retro linen room.

If the creator had stopped there, the collection would probably have been considered to be disappointing, and this in spite of its extreme esthetism. It would have indeed been easy to regard it as redundant (because too near to the claw of John Galliano) and to show it to plagiarize the seam pâlement…

However, by enamelling its cloakroom of many attractive shoes and some parts of knittings impressed of languorous softness, Galliano makes it possible Dior to maintain the desire and to continue to fall under modernity.

Bathing in camaieux mahogany tree/caramel/tobacco/hazel nut, long the cuissardes semi-leather semi-deer, the low boots with the riding support and the back finely laced, the ankle boots equipped with a sheath taking again the principle of the gaiter or the boots needles more skinny that one second skin are as many models mixing with audacity spirit, tradition and seduction.

One notes in addition that the passion from which currently knitting profits seems to have found here an expression new and refined (but nevertheless cosy), in the shape of a full waistcoat ivory laced of broad turquoise ribbons which is likely to strongly mark the spirits.

Lastly, it seems that the twisted gaiters threaded on a pair of stiletto heels could well quickly make school on the Parisian paving stones…

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Procession Celine - Autumn/winter 2010-2011

n hardly two seasons, Phoebe Philo managed to convert the fashion sphere with its new religion. It is indeed before an assembly carrying high her colors of the summer 2010 - camel, caramel, nude and chocolate - that Philo presented its cloakroom for the next winter. As purified as sexy, this last gives us more as ever desire for being a Celine woman…

The passion caused - as well in the press as at the modeuses ones - by the first collection of Phoebe Philo at Celine implicitly required the transformation of its first attempt into master stroke at the time of the opus autumn/winter 2010-2011. However, force is to note that creative English does not have demerit, delivering a cloakroom sportswear not having anything to envy the rigour of Helmut Lang…

Strong of the plebiscite received last October, Phoebe Philo thus peacefully could continue to take along the Parisian house towards horizons where smart and pragmatism are moulted in a wardrobe incisor concentrating on essence. It emanates then such an obviousness of this woman in riding boots, skirt with the knees and wool pulp coat which one wonders how one could carry another thing that of the Celine by Phoebe Philo…

It is true that the insurance conferred by the dress code imagined by the ex-DA from Chloé is worth well all the face lifts and blow-dries of the world. It would thus be enough to slip into this skirt pencil out of waxed leather and to slip on the associated lace tee-shirt to feel ready to take down any market…

Phoebe Philo arrives to magnifier the Celine heritage diablement while making modern the iconic middle-class customer of the house. With this intention, she proposes to him to be devoted to the leather, which she combines in simplicity mode, then transforming of the parts a priori without stories into clothing subtly tempting…

She thus plates broad rectilinear leather pockets on many wrongfully wise models and declines her signals casual in version leather, when she does not work leather in loose polished skirt or leg of buttoning contrasted.

Taking again the esthetics of Courrèges or Lang, Phoebe Philo releases the woman of its fanfreluches and an alternative to the over sexyness having too often made offers to him the play of the mode. She makes even much more, by delivering the keys of a perfect pace to us of which the function is more to be used as ECRIN to put forward.

With final, one will retain that while combining top-of-the-range matters, rational volumes and sexyness controlled, Philo managed to synthesize the DNA of a contemporary pace, easy and flattering, thus answering the one of our most vital waitings as regards mode…

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Procession Sonia Rykiel - Autumn/winter 2010-2011

The tendency knitting promising to be massive, the mesh Sonia Rykiel appears more than ever of topicality. Add to that some Swedish settings in mouth as well as a strong presence of Nathalie Rykiel in the media (promotion of its book “You will be a woman, my daughter” obliges) and you will cause what one needs of curiosity for booster rocket the visibility of the last collection of the Parisian house…

The next winter, the modeuses ones will be coiled in opulent woollen articles, will be reassured in some Ankara meshs and will assume the pullovers knitted by their great-aunt… This is not one énième prediction Paco Rabannienne, but well part of the roadmap delivered by the prescribers of tendencies which are Miuccia Prada, John Galliano, Phoebe Philo like Domenico Dolce and Stefano Gabbana.

However, mesh rimant with Sonia Rykiel, it is with the farm the intention to find there our futures “it” pullovers that one went to discover the collection germanopratine season.

Always as mischievous, the Rykiel girls presented a cloakroom putting more as ever knitting at the honor. This last materialized on pimpantes draped dresses closed of a nurse pin, loose dresses pullover, a maximum electric blue waistcoat or some small sweaters long-line bra. On their side, the traditional multicoloured stripes of the claw - which made the beautiful days of H&M - were entitled also to some passages.

In addition to knittings, Nathalie Rykiel made the good share at piece-rates olive, the baggy 7/8, the fine retro muslins and multiple the microphone toilets in feather of ostrich (slightly already seen), but also tried to decline - with more or less of happiness - the expensive concept of oversize to the claw.

The mannequin Mirte Maas indeed opened the procession in an oversize costume, whose passage of the podium to the street seems compromised by the overzealousness of the tailor, who surely over-estimated his capacity to make the oversize becoming…

However, so the aforementioned costume seems to be escaped wall cupboard of Bozo the clown, it should well be recognized that among the other parts having acquired a format xxl, some appeared as desirable as cosy (one thinks in particular of the maximum trench/dressing gown currant, the trousers ultra boyish broad and the opulent jacket in fur corbel).

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Chanel procession - Autumn/winter 2010-2011

Once more, Karl Lagerfeld proves to us that impossible is not Chanel. It should be said that when it imagines the decoration of its shows, this one does not move back in front of nothing. This time, that which will receive soon the Legion of honor did not hesitate to be made deliver to the Large palace a piece of ice-barrier, intended to be used as ECRIN for the new Chanel collection…

Would the skies be subjected to goodwill of Karl Lagerfeld? Always it is that in this morning of March 9, it is an arctic cold which the fashionistas had to face to arrive on the spot of the Chanel show, where they discovered a setting in scene not less refrigerating. As maestro of extraordinary, the DA of the claw had indeed made transport on a catwalk encircled small white banks, in order to contain the water in which the models ravelled

Once the first surprise passed, a second shock awaited the guests when Abbey Lee Kershaw, , appeared in

The tone was given: Lagerfeld would not be deprived to exploit the stereotypes of the universe of the Far North, daring to avoid its Cambon' S girl of more than fur than it had never used some. Thus such of the polar bears having decided to offer a wardrobe Chanel, Freja Beha, Rocha Coconut or tried to make smart of broad trousers of fur, in their affixing small leather chocolate jackets and long saltires.

Thereafter, they were some skirts in long hair, surmounted iconic tweed house jackets, which tried to gain in smart attitude. With more or less of success…

At this stage, it is important to specify that also presents is the fur (recovering and minaudières, and bordering grinds, skirts and dresses), the latter, posting a synthetic pedigree 100%, did not éradiqué any wild mink herd. Mixed with behaviours these then drew a collection all in contrasts and not stripped of humour.

However, , of other made the good share with the innovation, and this especially as regards knitting, strong point of the next season. Thus tweed para and that the Ankara wool gave rise to a like with . Without speaking about the , délicieusement purified and finally ready-made clothes…

For the last passages, Karl delivered a succession of immaculate toilets, revolving mainly around the mesh (what revealed them only more delicate). One will retain of this final highly elegant , but also the which, composed of a given lustre to sweater, a long lace skirt and an opulent pair moon boots, extremely well illustrated at the same time delicate and excessive spirit of this masterly Chanel show.

Lastly, if one could follow on line the cast iron of the ice-barrier at the time of the procession, one would be wrong to see any there plea for the ecological cause. Indeed, one hardly dares to imagine the assessment carbon of the transport of this end of ice…

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Chloé procession - Autumn/winter 2010-2011

One owes in Hannah Mac Gibbon the emergence of the camel as “a it” color, as well as the massive passion from which currently the 70 profit ' S. But, instead of trying to preserve his statute of leader by proposing an alternative to his own tendencies, the continuous DA of Chloé to embroider around his topics of predilection. With the risk to melt itself in the mass…

If it is inspired officially by the wardrobe male, the collection Chloé autumn/winter 2010-2011 seems nevertheless to expensive celebrate the American sportswear with Farrah Fawcett, Kate Jackson and Jaclyn Smith. Hannah MacGibbon indeed delivers in vain some overcoats oversize and to fit some of its mannequins of polished moccasins, it is an young woman coming straight from the seventies which allured the assistance.

In trousers cuts high and blouse of satin or out of leather cognac and lavalli2ere caramel with butter, this young lady with the inflated blow-dry is registered in the middle of this néo minimalism where the codes seventies are used as a basis for a modest pace lately hype.

Thus, as in Marc Jacobs, Prada and Celine, the Chloé woman enjoys to marry elegance casual time, when Ralph Lauren and Calvin Klein set up the sportswear in art of living.

With this intention, it adopts wind-breaker round collar, under-sweater in jersey, trousers flare and skirt with the knees. She also testifies to a total confidence towards camaieux of beige, rusts, ginger or copper, which plunged the public within an autumnal suave and desirable softness.

This softness was accentuated when Hannah MacGibbon called upon the one of the crushs moment, while declining some of its parts in knitting mode. It is discovered whereas, under its news less sport declads than smart, the bottom of wool jogging could make well capsize the heart of the girls…

Thereafter, the compositions of colors and matters proposed seemed exaucer the wishes stylistics of number of fashionistas present this day. Parka darkens Prince de Galles on flexible mesh like pink old overcoat on trousers camel and lines as a rough Jean proved indeed directly consumable…

Yes but here is, the camel being since one moment already considered as the color, this collection has all the chances not to be also attractive more in July, when it leaves finally in shop. It is a risk to consider when one chooses to compose a cloakroom in perfect osmosis with the air of time, without him to inject innovative twist…

Hannah MacGibbon however tried well to launch new tracks by associating some details cow-boy to his parts 70 ' S. Malheureusement, fringes and cuttings rodeo do not manage to make fly. Too much foreseeable?

By consolidating the modeuses ones in a tendency of which they control the codes better and better, the major part of this cloakroom is likely to unchain passions. Let us hope just that for the next summer, Hannah MacGibbon will be able to prove to us that the Chloé woman can exist beyond the seventies…

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Burberry Prorsum - Autumn/winter 2010-2011

With its last show, Burberry Prorsum made definitively obsolete the modus operandi of traditional the fashion weeks. It is true that between the simultaneous diffusion in streaming on some 70 Internet sites and projection in 3D with the four corners of the sphere for a handle of privileged people, never fashion show had not profited from such a visibility…

If Christopher Bailey can right now be enorgueillir to be parvenu to impose its own diagram of diffusion of the collections, it seems that this one should not be long in making school. It should be said that while finally granting the right to profit from the explosion of new technologies, the fashion entered the 21e century on one level…

The show Burberry Prorsum will remain thus certainly engraved in the memories of thousands of feverishly connected Net surfers, ready to comment on on line on Twitter a procession which one condescended to finally to present them on line, but also hundreds of journalists invited to fit a pair of glasses 3D. For them, it will be forever that which, while regarding as exceeded the ultra elitism of the mode, dared to open limps it of Pandora. For better and for worse…

Indeed, if it is creditable to want to offer early product of its new collection to a broader panel of spectators, it will be necessary nevertheless to take care that this kind of multi-presentation is always as licked as that of Burberry, in order not to lose an ounce of the magic up to now haloing the fashion shows.

With regard to the collection in itself, it seems that Christopher Bailey could not have offered to its new potential customers a better introduction to the Prorsum universe. Because if the trench left the place to many variations around the jacket of aviator, that did not prevent the assistance - that it is real or virtual - from wishing ardently each revealed part of outside this Tuesday in London.

While reinterpreting the military wind-breakers (in their affixing volumes cropped pile in the air of time and multiple collars oversize in shearling), Bailey indeed managed to condense the major tendencies of the next winter, and this whole in their conferring a more desirable twist roots cosy.

However, he does not forget any however that its customers (Kate Hudson, Claire Danes, Leigh Lezark, Julia Restoin Roitfeld…) are young women set on romantic contrasts. He mixes thus his jackets army with delicate lace combinations and some blocked skirts, sheathed longuissimes cuissardes of leather or python. The silhouette Burberry Prorsum then draws perfect the dress code of the next season, namely wind-breaker cropped in shearling + draped smart dress + top-of-the-range cuissardes, the bathed whole of colours army.

In addition, perfectly conscious of this phenomenon which makes us lose all feel common vis-a-vis discovered a new collection, Bailey decided to us to offer the précommander appropriateness as of now - and this during 3 days - its more than divine coats, thus benefitting the maximum of the advantages inherent in its novel mode of communication.

On this subject, let us thank the gods for the mode for having excluded from the operation very the intrigantes boots strapped in turned over skin. While acting of the kind, they surely avoided the over-indebtedness with good number of Net surfers…

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Fashion Line - Water Dresses

Fashion Line - Water Dresses

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amazing model Jessica Alba

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