Procession Celine - Autumn/winter 2010-2011
n hardly two seasons, Phoebe Philo managed to convert the fashion sphere with its new religion. It is indeed before an assembly carrying high her colors of the summer 2010 - camel, caramel, nude and chocolate - that Philo presented its cloakroom for the next winter. As purified as sexy, this last gives us more as ever desire for being a Celine woman…
The passion caused - as well in the press as at the modeuses ones - by the first collection of Phoebe Philo at Celine implicitly required the transformation of its first attempt into master stroke at the time of the opus autumn/winter 2010-2011. However, force is to note that creative English does not have demerit, delivering a cloakroom sportswear not having anything to envy the rigour of Helmut Lang…
Strong of the plebiscite received last October, Phoebe Philo thus peacefully could continue to take along the Parisian house towards horizons where smart and pragmatism are moulted in a wardrobe incisor concentrating on essence. It emanates then such an obviousness of this woman in riding boots, skirt with the knees and wool pulp coat which one wonders how one could carry another thing that of the Celine by Phoebe Philo…
It is true that the insurance conferred by the dress code imagined by the ex-DA from Chloé is worth well all the face lifts and blow-dries of the world. It would thus be enough to slip into this skirt pencil out of waxed leather and to slip on the associated lace tee-shirt to feel ready to take down any market…
Phoebe Philo arrives to magnifier the Celine heritage diablement while making modern the iconic middle-class customer of the house. With this intention, she proposes to him to be devoted to the leather, which she combines in simplicity mode, then transforming of the parts a priori without stories into clothing subtly tempting…
She thus plates broad rectilinear leather pockets on many wrongfully wise models and declines her signals casual in version leather, when she does not work leather in loose polished skirt or leg of buttoning contrasted.
Taking again the esthetics of Courrèges or Lang, Phoebe Philo releases the woman of its fanfreluches and an alternative to the over sexyness having too often made offers to him the play of the mode. She makes even much more, by delivering the keys of a perfect pace to us of which the function is more to be used as ECRIN to put forward.
With final, one will retain that while combining top-of-the-range matters, rational volumes and sexyness controlled, Philo managed to synthesize the DNA of a contemporary pace, easy and flattering, thus answering the one of our most vital waitings as regards mode…
