Prada - Autumn/winter 2010-2011
If the collections of Miuccia Prada go down only seldom in the street, the Italian Madonna does not influence of it less the air of time in a recurring way. Let us hope that it will be the same with this Prada procession which, if he makes school, should somewhat change the standard as regards mannequins…
In slides, Miuccia Prada joined the matter of another prescriber of tendencies - Marc Jacobs - when she states to have wanted to compose her collection of “normal” clothing. With this intention, it went to draw from the files of the house, and more precisely those concerning the Nineties, which transfer the true blossoming of the Prada style.
The great classics of the claw thus reappeared on the podium, top spin and more races that never. Doubled cashmere, pea coat with double collar, skirt line has out of flexible leather or with printed so Prada, hives, dense pullover and escarpins pointed then composed a collection bathed of reminiscences 50 ' s/60' S. However, the banding of an entirely knitted unit, the twist resulting from a duet teases/leather, the use of a waxed leather or the keys of colors acid blue punctuating some looks irremediably placed this collection in modernity.
Beyond the collection in itself, a detail very quickly intrigued us. It should indeed be remembered that Miuccia Prada is partly responsible for the advent of the thread-like mannequins on the podiums, the Milanese procession of the claw being very often that where one finds the models youngest and more skinny of the market.
This is why, when the casting of the autumn presentation/winter 2010-2011 revealed certain heads of poster of the Victoria's Secret show, there was clearly what to be astonished. As if Miuccia Prada had suddenly decided to change its guns of beauty…
However, when Miuccia Prada has an idea at the head, this one - in addition to marking the spirits immediately - potentially has the capacity to modify the landscape fashion. It is thus amazed and conscious of attending an event hinge that one saw pulpy Doutzen Kroes, Catherine McNeil and Lara Stone to charm the high-speed motorboat with the other models, also thin and youthful are these last.
Irradiating the space of their carnal presence (at the point to make Prada almost sexy), these young women knew to focus all the attention on them. Indeed, whereas the hives masked the absence of female roundnesses in more the androgynes, Lara and Doutzen filled up their balconnets nicely, voting by plebiscite an opened out sensuality. Following the example Marc Jacobs (who selected some of her mannequins in the street), Miuccia Prada thus injected with its casting an amount of reality, which proves as liberator as tempting.
Lastly, with regard to the procession in itself, one notes that if the collection were punctuated errors of taste pradiennes (called how often to become musts; one thinks in particular of high and thick socks slipped into the escarpins and of the opulent woollen articles gumming the silhouette), the high chignons sixties, the retro glasses as well as the short waxed leather jackets do not have needed as for them for any time for adaptation to appear desirable…
